Seren Stacey artist: 2014

Wednesday 22 October 2014

Conkers Bonkers! at Rhod in Roath/ Made in Roath 2014

Sunday 12 October 2014

Happy conker encounters...

I've decided to use conkers for my Rhod in Roath garden installation. Growing up in Pontcanna, I remember Autumn in Cardiff being the loveliest thing. Walking to the school bus, crunchy leaves drifting over garden walls and filling the streets, the misty hint of rain in the air, and competitive conker collecting in Llandaff fields, stuffing dad’s bike saddle bags with conkers as dusk descended. For a Cowbridge Road girl, Roath was the land of leisure, terrapin, rose gardens and rowing boats, bohemians, ice creams and hanging out. This garden intervention is inspired by Jacob Whittaker’s path of vinyl records last year (entitled Now!18), and is made in celebration of this green city in arguably its most beautiful season.

In my search for conkers I've had a some heart warming encounters. Last saturday I went to Carmarthen park. There was already a couple and their 9 year old son hunting for conkers which were pretty thin on the ground. For a laugh and to get over my embarrassment ( a grown-up conker-ing on my own) i said

"hey, have you had all the conkers? they laughed. I laughed.

Ten minutes later the little boy offered me more than half of his conkers! I did feel a bit bad , and tried to make him keep them, but in the end hid mum in sited that he doesn't need any more conkers at home.

Thank you kind people! Then I saw some more horse chestnut trees further down in the park, rich pickings. I was assisted by an old lady, and then some little polish girls on bikes who told ne they were going to use their conkers to make "a shiny dragon". Searching for conkers brought back all the warm happy feelings I remember conker-ing in Llandaff fields and Ninian Park.

http://rhod.org.uk/projects/rhod-in-roath-rhod-yn-y-rhath-2014/

Friday 3 October 2014

The Garden 2014

The Garden exhibition was conceived and curated by Kate Dunwell and Seren Stacey in 2013 as an opportunity for ourselves and other artists to re-build our confidence and have an opportunity to develop new work for the former Nevern Nurseries site which was itself being lovingly restored. The Garden 2014 was drawn together curatorially by Seren Stacey and Rose Wood with many artists creating new works and installation in response to the site. The artwork sat sensitively within the site, complementing rather than competing with the rambling natural surroundings. More images and info:
http://thegarden2014.wordpress.com/2014/08/19/the-garden-exhibition-2014-wonderful-weather-wonderful-visitors/

LL& P colour card

From January to March 2014 I took regular walks around Llandysul and Pontweli cataloguing colours and textures to correspond to the well known and beautifully branded paint charts of Farrow & Ball. The idea came about when as I pored over colour charts (of various makes) whilst redecorating, and then took walks to try and stimulate my creativity. The paint charts got stuck in my mind and my eyes seemed sensitised to the range and subtlety of colours all around me. Paint names are already widely known to be amusing, hyperbolic; Steel Symphony, Overtly Olive. I began to play on this, giving my new colours their own names relating to their location, subject or my personal response to them. The chart and a map of my walks are made into a limited edition colour card and a series of large scale prints. Exhibited at Colony 2014 ,Cardigan and The Garden 2014, Nevern.

Tuesday 11 March 2014

everyday sculpture

Sunday 16 February 2014

Daily capture..

'Daily Capture' workshop with Clare Thornton at Coleg Sir Gar introduced the notion of 'turning up the dial on the everyday' through a daily ritual of collecting information.This information could come in any form; a photograph, a written diary, a drawing or a collected object. We were sent off to find 'a static surface' and 'a moment in time'. We were given a pile of everyday materials, cling film, hazard tape, ribbon. I took the foil. Walking around the art college, going from the toilets to the coffee shop all felt pretty nostalgic for me so I decided to use the foil to take an impression of the walls. I started to enjoy the pressure of my body against the wall, feeling into the wall like an old friend, like contact improvisation. I would like to try this on a much bigger scale, and get other artists or an audience to try it too.

When we brought our materials back 20 minutes later we had to consider how we might turn what we had into an installation 'as if you were having an open studios tonight'.We scaled up photographs and enlarged drawings in ribbon across the space. It was great to collaborate and to make an installation in just 20 minutes.

Seeing red... ( and blue)

..the serendipity of sightseeing, drifting through my own neighbourhood in Llandysul and Pontweli.

I went out with a blue and red marker pen and a book of marker paper under my arm with a view to draw en plein air, referring back to an art school exercise, using only two colours to create perspective and depth. After drawing several street intersections from the bypass flyover I wondered into the Jones & Davies (Fruit) ltd. yard to discover the wonderfully sculptural pallet stacks, resplendent in blue and red. perhaps it was the phenomenon of perceptual vigilance, of noticing the red and blue because I had those coloured pens in my pocket, but the precariously leaning towers offered an intriguing challenge. I shouldn't have been so surprised a week later when I found they had all been re-organised. I was attached to the snapshot in my mind and forgot that these pallets are used to carry fruit and veg around the country, evidenced by a solitary cabbage leaf on the ground. This is when I began a regular routine of visiting and documenting the shifting sands of my new site, a drawing in many stages over time.